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Joan Ross

Joan Ross

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Open a larger version of the following image in a popup: Joan Ross, I like to name everything after myself, 2021
Open a larger version of the following image in a popup: Joan Ross, I like to name everything after myself, 2021

Joan Ross

I like to name everything after myself, 2021
hand-coloured pigment print on rag paper
72 x 100 cm / 84 x 112 cm (framed)
edition of 8 + 2 AP

Further images

  • (View a larger image of thumbnail 1 ) Joan Ross, BBQ This Sunday (end of the world as we know it), 2011
  • (View a larger image of thumbnail 2 ) Joan Ross, BBQ This Sunday (end of the world as we know it), 2011
This imaginative view of Sydney Harbour is not topographically accurate but quotes drawings and prints of the harbour made by colonial-era artist Joseph Lycett. The land and its animals speak...
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This imaginative view of Sydney Harbour is not topographically accurate but quotes drawings and prints of the harbour made by colonial-era artist Joseph Lycett.

The land and its animals speak to us in English and Indigenous language. The birds – carriers of knowledge – represent both the endurance of Indigenous culture and the ancient history of Australia’s endemic plants and animals.

Indigenous figures share the space with settlers in Regency dress, including a naturalist, signifying the Enlightenment urge to collect, classify and name nature.

The ‘hi-vis’ fluorescent yellow colour symbolises authority and control and is a metaphor for colonisation. Elements from contemporary life, including the party decorations and cakes, construction cranes and warning signs, inject an element of sardonic humour into an epic tale of longevity and change.
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