Savannah Jarvis
Two patients try to explain nociplastic pain to one another, 2026
diptych: oil on canvas, acrylic pearl, freshwater pearl, polymer clay on canvas
172 x 96 x 10 cm (each)
Winner of the 15 Artists Prize. Acquired by City of Moreton Bay Galleries
Winner of the 15 Artists Prize. Acquired by City of Moreton Bay Galleries
From the upcoming series “Conversations between Patients”, this diptych explores varying symbolic and linguistic approaches to communicating chronic pain. These two works imagine pain as two houses trying to converse....
From the upcoming series “Conversations between Patients”, this diptych explores
varying symbolic and linguistic approaches to communicating chronic pain. These two
works imagine pain as two houses trying to converse. Linguistic expression meets
visually overwhelming symbolic systems; distorted and abstracted. Together, they
suggest how symptoms of chronic pain can be expressed differently between bodies,
showcasing widely varied means of conceptualising and translating pains’ lived
experience, even when the underlying experience is shared. By replacing the body with
the house, the diptych reflects on pain as something that we inhabit as equivocally as it
inhabits us; invisible, persistent, and needing to be understood.
varying symbolic and linguistic approaches to communicating chronic pain. These two
works imagine pain as two houses trying to converse. Linguistic expression meets
visually overwhelming symbolic systems; distorted and abstracted. Together, they
suggest how symptoms of chronic pain can be expressed differently between bodies,
showcasing widely varied means of conceptualising and translating pains’ lived
experience, even when the underlying experience is shared. By replacing the body with
the house, the diptych reflects on pain as something that we inhabit as equivocally as it
inhabits us; invisible, persistent, and needing to be understood.
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