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Natasha Walsh: Hysteria.
N.Smith Gallery, 12 Jun - 6 Jul 2024

Natasha Walsh: Hysteria.: N.Smith Gallery

Past exhibition
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  • Works
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  • Natasha Walsh The Gaze (self-portrait after Klimt), 2021 oil on copper 35 x 35 cm / 79 x 79 cm Sitter: Natasha Walsh 
Reference: Gustave Klimt, Danaë (1907–1908) 2021 Moran Prize Semi-Finalist Included in The National 4: Australian Art Now
    Natasha Walsh
    The Gaze (self-portrait after Klimt), 2021
    oil on copper
    35 x 35 cm / 79 x 79 cm

    Sitter: Natasha Walsh
    
Reference: Gustave Klimt, Danaë (1907–1908)

    2021 Moran Prize Semi-Finalist
    Included in The National 4: Australian Art Now
  • Natasha Walsh The Voyeur (formerly Untitled), 2023 oil on copper 60 x 60 cm / 79.5 x 78.5 x 3.5 cm (framed) Sitter: Natasha Walsh Reference: Egon Schiele, The Hermits (Self-portrait with Gustav Klimt) (1912)
    Natasha Walsh
    The Voyeur (formerly Untitled), 2023
    oil on copper
    60 x 60 cm / 79.5 x 78.5 x 3.5 cm (framed)

    Sitter: Natasha Walsh
    Reference: Egon Schiele, The Hermits (Self-portrait with Gustav Klimt) (1912)
  • Natasha Walsh The Yellow Odalisque of Brunswick, 2024 oil on copper 53 x 50 cm / 72 x 68 x 3.5 cm (framed) Sitter: Atong Atem Reference: Henri Matisse, Yellow Odalisque (1937)
    Natasha Walsh
    The Yellow Odalisque of Brunswick, 2024
    oil on copper
    53 x 50 cm / 72 x 68 x 3.5 cm (framed)

    Sitter: Atong Atem
    Reference: Henri Matisse, Yellow Odalisque (1937)
  • Natasha Walsh Our Nude, 2024 oil on copper 45 x 60 cm / 64.5 x 78 cm (framed) Sitter: Bri Lee Reference: Pablo Picasso Le Rêve, 1932 Three Women at the Spring, 1921 Large Bather, 1921 Two Nudes, 1906 La Lecture, 1932 Nude, Green Leaves and Bust, 1932
    Natasha Walsh
    Our Nude, 2024
    oil on copper
    45 x 60 cm / 64.5 x 78 cm (framed)

    Sitter: Bri Lee
    Reference: Pablo Picasso

    Le Rêve, 1932
    Three Women at the Spring, 1921
    Large Bather, 1921
    Two Nudes, 1906
    La Lecture, 1932
    Nude, Green Leaves and Bust, 1932
  • Natasha Walsh The Marriage of Nicol and Ford, 2023 oil on copper 38 x 50 cm Sitters: Katie Ford and Lilian Nicol Reference: Artist unknown, Gabrielle d'Estrées et une de ses soeurs (c.1954) Finalist in the 2024 Archibald Prize Included in The National 4: Australian Art Now
    Natasha Walsh
    The Marriage of Nicol and Ford, 2023
    oil on copper
    38 x 50 cm

    Sitters: Katie Ford and Lilian Nicol
    Reference: Artist unknown, Gabrielle d'Estrées et une de ses soeurs (c.1954)

    Finalist in the 2024 Archibald Prize
    Included in The National 4: Australian Art Now
  • Natasha Walsh Princess of the Pink Plastic Hand-Held Fan, 2023 oil on copper 36.5 x 30 cm Sitter: Louise Zhang Reference: James Whistler, The Princess from the Land of Porcelain (La Princesse du pays de la porcelaine) (1863-65) Included in The National 4: Australian Art Now
    Natasha Walsh
    Princess of the Pink Plastic Hand-Held Fan, 2023
    oil on copper
    36.5 x 30 cm

    Sitter: Louise Zhang
    Reference: James Whistler, The Princess from the Land of Porcelain (La Princesse du pays de la porcelaine) (1863-65)

    Included in The National 4: Australian Art Now
  • Natasha Walsh ‘I Blak with white bespott by totems ænd Country y whyt with flannel flower honour our stories: Ancestours’, 2023-24 oil on copper 27.5 x 30 cm / 44.5 x 46.5 x 3.5 cm (framed) Sitters: Brenda L Croft and Prue Hazelgrove, with Aunty Matilda House (Ngambri People)⁠ Reference: unknown 17th century painter⁠, Double portrait of two women with face patches (c.1650) Included in The National 4: Australian Art Now
    Natasha Walsh
    ‘I Blak with white bespott by totems ænd Country y whyt with flannel flower honour our stories: Ancestours’, 2023-24
    oil on copper
    27.5 x 30 cm / 44.5 x 46.5 x 3.5 cm (framed)

    Sitters: Brenda L Croft and Prue Hazelgrove, with Aunty Matilda House (Ngambri People)⁠
    Reference: unknown 17th century painter⁠, Double portrait of two women with face patches (c.1650)

    Included in The National 4: Australian Art Now
  • Natasha Walsh Damsel in distress, 2023-24 oil on copper 15 x 15 cm (each) / 31 x 31 x 3.5 cm (framed) Sitter: Gracie Otto
 Reference: Roy Lichtenstein, I Can See the Whole Room...and There's Nobody in It! (1961), Tension (1964), M-Maybe (1965). Lichenstein’s reference: Tony Abruzzo, ‘TROOPER!…I CAN SEE THE WHOLE ROOM!….AND THERE’S NOBODY IN IT!’, Scene of tension between a man and a woman, ‘M-MAYBE HE BECAME ILL — AND COULDN’T LEAVE THE STUDIO! I’LL GO SEE!’ (1950-60). Included in The National 4: Australian Art Now
    Natasha Walsh
    Damsel in distress, 2023-24
    oil on copper
    15 x 15 cm (each) / 31 x 31 x 3.5 cm (framed)

    Sitter: Gracie Otto

    Reference: Roy Lichtenstein, I Can See the Whole Room...and There's Nobody in It! (1961), Tension (1964), M-Maybe (1965).

    Lichenstein’s reference: Tony Abruzzo, ‘TROOPER!…I CAN SEE THE WHOLE ROOM!….AND THERE’S NOBODY IN IT!’, Scene of tension between a man and a woman, ‘M-MAYBE HE BECAME ILL — AND COULDN’T LEAVE THE STUDIO! I’LL GO SEE!’ (1950-60).

    Included in The National 4: Australian Art Now
  • Natasha Walsh Medusa enshrined, 2023-24 oil on copper 26 x 18 cm / 43.5 x 34.5 x 3.5 cm (framed) Sitter: Montaigne Reference: Federico da Montefeltro and Piero della Francesca, Diptych of Federico da Montefeltro and Battista Sforza (1467–1472) Included in The National 4: Australian Art Now
    Natasha Walsh
    Medusa enshrined, 2023-24
    oil on copper
    26 x 18 cm / 43.5 x 34.5 x 3.5 cm (framed)

    Sitter: Montaigne
    Reference: Federico da Montefeltro and Piero della Francesca, Diptych of Federico da Montefeltro and Battista Sforza (1467–1472)

    Included in The National 4: Australian Art Now
  • Natasha Walsh Portrait of a Young Medusa, 2023-24 oil on copper 26 x 18 cm / 43.5 x 34.5 x 3.5 cm (framed) Sitter: Montaigne Reference: Antonio del Pollaiuolo and Piero del Pollaiuolo, Profile Portrait of a Young Lady (1465) Included in The National 4: Australian Art Now
    Natasha Walsh
    Portrait of a Young Medusa, 2023-24
    oil on copper
    26 x 18 cm / 43.5 x 34.5 x 3.5 cm (framed)

    Sitter: Montaigne
    Reference: Antonio del Pollaiuolo and Piero del Pollaiuolo, Profile Portrait of a Young Lady (1465)

    Included in The National 4: Australian Art Now
  • Natasha Walsh Venus with mirror glimpses her mortal self, 2024 oil on copper 24.6 x 21.4 cm / 42 x 37.5 x 3.5 cm (framed) Sitter: Tsering Hannaford
 Reference: Titian, Venus with a Mirror (1555) The Penitent Magdalene (1531–1535)
    Natasha Walsh
    Venus with mirror glimpses her mortal self, 2024
    oil on copper
    24.6 x 21.4 cm / 42 x 37.5 x 3.5 cm (framed)

    Sitter: Tsering Hannaford

    Reference: Titian, Venus with a Mirror (1555)
    The Penitent Magdalene (1531–1535)
  • Natasha Walsh Hysteria in the studio, 2024 oil on copper 50 x 55 cm Reference: Matisse, The Red Studio (1911) Brett Whiteley, Self portrait in the studio (1976)
    Natasha Walsh
    Hysteria in the studio, 2024
    oil on copper
    50 x 55 cm

    Reference: Matisse, The Red Studio (1911)
    Brett Whiteley, Self portrait in the studio (1976)

Related artist

  • Natasha Walsh

    Natasha Walsh

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