アートフェア東京 / Art Fair Tokyo 2026.: Tokyo International Forum

Working as a collaborative duo since 2001, Claire Healy & Sean Cordeiro’s practice reflects a preoccupation with the dynamics of global mobility, fallout of consumer society, and contemporary notion of home.

Combining playful humour with art historical references, the duo transform prefabricated structures and readymade materials, from Lego and IKEA furniture to car parts and architectural fragments, into ambitious sculptures and installations defined by deconstruction and reinvention.

Winners of the Sulman Prize in 2022, Claire & Sean have exhibited widely in Australia and internationally. Their installation Life Span featured in Australia’s presentation at the 53rd Venice Biennale, and they have participated in major exhibitions including the Auckland Triennial, the Australian Biennial of Art, and the Oku-Noto Triennale, Japan. Their work has been the subject of numerous solo exhibitions across leading institutions in Australia, Europe, and the United States.

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Christopher Zanko is an artist based in the Illawarra/Dharawal region of the New South Wales south coast. Drawing on the architecture and culture of his hometown, he reimagines suburban environments through a distinctive, deeply personal lens.

Influenced by Japanese woodblock carving, Zanko focuses on the details that shape domestic identity – from red brick facades to tyre swans and terrazzo porches. Through meticulous, meditative carving, he preserves these quiet suburban markers as enduring records of place and memory.

A finalist in the Brett Whiteley Travelling Art Scholarship, Sulman and Wynne Prizes, and the King’s School Art Prize, his work is held in major collections including the White Rabbit Collection, Museums of History NSW, Wollongong Art Gallery, and the University of Wollongong.

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A Thai-born Australian artist recognised as a leader in the field of ceramics, Vipoo Srivilasa creates work that engages with complex questions of queerness, migration and spiritual meaning, using an aesthetic and medium that is accessible, uplifting and beautiful.

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Tom Blake’s practice draws on fragmented moments, looped imagery and recurring motifs as potential sites for contemplating the psychological, architectural and technological frameworks that surround us.

From across a room, Holly Anderson’s paintings appear to swim in the brightness of a clear sky. Bursts of sunlight populate familiar subject matter – interiors, figures, skies, and water are monochromic planes pierced with white light...

Anderson’s painting practice explores sensory encounters between light and landscape. Moving between figuration and abstraction, her brushstrokes form geometric, often monochromatic compositions whose flatness intensifies their subtle realism. Sunlight is central to her work – flashes of white disrupt gridded surfaces of stripes and squares, bending and scattering form. Familiar subjects emerge through the glare, developing a visual language attuned to the brilliance of the Australian sun.

Recent exhibitions include the Museum of Brisbane and Firstdraft. She has been a finalist in the JADA Prize and Brisbane Portrait Prize, among others, and her work is held in public and private collections. Anderson completed a BFA (Hons) at the Queensland College of Art, where she now teaches sessionally.

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NATASHA WALSH