Joan Ross’ new exhibition continues her longstanding interrogation of Australian colonial history, examining greed, the legacy of colonisation, and the insidious ways power and ownership continue to shape Australian identity. Through a series of works that reimagine colonial portraiture and still life, Joan brings to light the ways colonial attitudes and structures of power remain present today.
Drawing from the visual language and conventions of colonial art history, Joan creates fictitious narratives that unsettle familiar accounts of Australia’s past. By inserting new perspectives into historical imagery, she asks who has been given the authority to record history and from what perspective, and how these narratives continue to shape our understanding of the present.
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With a bold humanist style, Ross’ cross-disciplinary practice is driven by a desire to examine Australia’s shadowed colonial histories. Fluoro and furious, she reimagines colonial imagery, layering each work with cultural references that reflect shared eras – critiquing the ongoing effects of greed, globalisation and colonisation, all while leaving you with a smile.
Joan Ross recently presented a major career survey at the National Portrait Gallery, Joan Ross: Those trees came back to me in my dreams, selecting portraits from the collection to show alongside her own works – extending her long-standing exploration of collecting and collections.
Her practice spans roles as educator, mentor and judge, with works held and presented by leading institutions. In recent years, Ross has expanded into virtual reality, presenting Did you ask the river? at ACMI, followed by Collector’s Paradise for the National Gallery of Australia and I give you a mountain, projected onto the façade of the Art Gallery of South Australia.
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