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Fulcrum investigates the environmental ramifications and consequences inflicted upon communities that are often overlooked when considering Australia’s usage of energy production. Using glass, light, water, and concrete, Hartshorn explores the ongoing colonial processes that disrupt Walgalu connections to Country.
Building on a mentorship that has allowed the artist to craft cultural objects, Hartshorn employs glass symbolically pierced and severed by fluorescent tubes to investigate themes of disconnection, destruction, and degradation inflicted by industrial entities like the Snowy Hydro Scheme.
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Fulcrum.
Canberra GlassworksWalgalu/Wiradjuri artist Aidan Hartshorn explores the ongoing colonial disruptions to Walgalu connections with the land. Using industrial glass and elements, the exhibition reflects his journey of crafting cultural objects while examining the degradation of his ancestral landscape.
Raised in Tumut, where the headwaters of the Murrumbidgee River and Tumut River converge, Aidan Hartshorn’s family was deeply rooted in their culture, though their connection to it became increasingly restricted with the development of the Snowy Hydro Scheme in the 1960s.
This exhibition explores the ongoing colonial processes that disrupt Walgalu connections to the land. Hartshorn utilises materials such as glass, concrete, steel rebar, and water—each linked to the construction of the hydro system. Building on a mentorship that has allowed him to craft cultural objects, Hartshorn employs glass symbolically pierced and severed by fluorescent tubes to investigate themes of disconnection, destruction, and degradation inflicted by industrial entities like Snowy Hydro.
This exhibition expands upon Hartshorn’s highly successful work, “These Violent Delights,” which was featured in the My Country exhibition at the National Gallery of Victoria.
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