Raised as a Jehovah’s Witness and growing up queer, Jordan Azcune’s practice is influenced by biblical theology and filtered by personal experience. Azcune uses this knowledge as a device to reveal understandings on architecture, body, and space with layered historic, and contemporary readings. Azcune is currently investigating the ideas of spirituality, offering and memory through materials of beeswax, pigment, glass and gold as interventions that take on design and architectural features that speak to a post-Christian campiness.

'Most of the work I do starts with drawing,' says the artist about his wide-ranging practice. The drawings are then fragmented and redrawn, and the new compositions incorporated into cyanotypes, hand-etched de-silvered mirrors, mobiles and installations. 'There's a balance between concept and formalism, and where those two meet,' explains Tom.

Since the late 1980s, Joan has exhibited across a range of mediums, from drawing, painting, photography and sculpture to installation, video, and virtual reality. Her experimental works combine colonial iconography and landscape painting with collaged elements of western commodity culture connected to land tenure and Aboriginal peoples' active presence on the land.

James’ artistic practice specialises in experimental and historical photographic processes. He uses a hybrid of analogue and digital photographic techniques to create contemporary artworks that reference Australian society and history. The processes he employs are the physical manipulation of digital photographic printing, such as the manual hand-colouring of digital prints or the application of physical interventions to the surfaces of digital prints. James also uses the historical 19th century photographic process of the Becquerel daguerreotype with the aid of modern technology to create new and contemporary daguerreotypes. Photography was historically used to document Aboriginal culture and the European colonisation of Australia. James is interested in these unique photographic processes to re-contextualise the representation of Australian society and history.