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James Tylor James Tylor is a multi-disciplinary visual artist whose practice explores Australian environment, culture and social history through photography, video, painting, drawing, sculpture, installation, sound, scent and food.
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Sally Scales 'We grew up knowing we had to use our voices for our families and communities. It's go time.'
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Carly Dodd Carly Tarkari Dodd is a Kaurna, Narungga, and Ngarrindjeri artist and curator whose practicecentres on weaving, jewellery, sculpture, and cultural storytelling. Taught traditional Ngarrindjeri weaving techniques by Aunty Ellen Trevorrow at a young age, Dodd continues this legacy by combining ancestral knowledge with contemporary materials to create powerful objects of cultural resilience. -
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Fiona Lowry Fiona Lowry’s practice has explored the complexity of the human condition. Through the use of airbrushed pastels and monochromatic colour palettes, Lowry’s images maintain an overarching softness and ambiguity.
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Holly Anderson From across a room, Holly Anderson’s paintings appear to swim in the brightness of a clear sky. Bursts of sunlight populate familiar subject matter – interiors, figures, skies, and water are monochromic planes pierced with white light...
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Louise Zhang 'The greatest tool in painting is colour, because colour has the greatest way of manipulating perspective.'
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Tom Blake Tom Blake’s practice draws on fragmented moments, looped imagery and recurring motifs as potential sites for contemplating the psychological, architectural and technological frameworks that surround us.
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Claire Healy & Sean Cordeiro Combining a playful sense of humour and an engagement with art historical precedents, the duo's work is characterised by the deconstruction and reinvention of prefabricated structures and objects into extraordinary sculptures and installations.
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Kyra Mancktelow Kyra Mancktelow’s multidisciplinary practice investigates legacies of colonialism, posing important questions such as how we remember and acknowledge Indigenous histories.
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Christopher Zanko 'Zanko creates permanence through the action of carving and simultaneously gives these homes and memories an enduring place to survive.'
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