• Dharug artist Billy Bain’s By the River reflects on the migration of the long-finned eel, tracing a passage from saltwater...

    Dharug artist Billy Bain’s By the River reflects on the migration of the long-finned eel, tracing a passage from saltwater to freshwater that echoes his own journey of cultural return. Growing up off Country on Sydney’s Northern Beaches, Bain’s early connection to place was shaped by surf culture. His practice now considers the parallels between the eel’s journey and his reconnection with the Dyarubbin/Hawkesbury River and the stories of his ancestors, the Boorooberongal people.

     

    Bringing together sculpture and painting, By the River reimagines the beach and river as Indigenous spaces shaped by memory, belonging and cultural continuity. Drawing on coastal iconographies, observations of place and Indigenous storytelling, Bain explores the relationships between Country, identity and the ongoing transmission of cultural knowledge.

     

    Collaboration and intergenerational exchange are central to the exhibition. Textile works created with Bain’s mother, Kathleen Bain, reflect a shared practice of making through which knowledge and culture are carried across generations. Here, water becomes both a material and a metaphor for the movement of culture, connecting people to Country, ancestry and one another.

  • Billy Bain, Dyarubbin (The River), 2026

    Billy Bain

    Dyarubbin (The River), 2026
    oil on linen in recycled timber frame with ceramic tiles
    232.5 x 175 x 10 cm
  • Warami (hello)I grew up on the Northern Beaches of Sydney, on Garigal country, where surfing and being in the ocean shaped how I first understood place. It is also where the saltwater meets freshwater at the mouth of the Dyarubbin/Hawkesbury River.As a kid, I felt disconnected from my Dharug identity. But the river has always been my constant, and surfing in saltwater gave me a connection to country before I fully understood it.Over time, I have come to see how my own path is like the burra, the long-finned eel, who moves from saltwater back towards freshwater. This shift has allowed me to reconnect with my Dharug culture and the stories of my ancestors and family, the Boorooberongal people.The meeting of salt and freshwater is important to me. It’s not just something physical; it’s a zone of convergence where memory, movement and cultural return intersect.For me, culture isn’t fixed; it moves like the river — flowing, adapting and finding its way. This exhibition is about return, even when the journey is not always linear.

    - Billy Bain

  • Billy Bain
    Billy Bain

    Billy Bain is a Dharug artist working across ceramic sculpture, painting and installation. Raised on Sydney’s Northern Beaches, he draws on family histories and his lifelong involvement in surfing to explore relationships between Country, identity and belonging

     

    His solo exhibitions include By the Riverat the Art Gallery of New South Wales (2026) and Being Manlyat Manly Art Gallery & Museum (2022). His work has featured in Ever Presentand Of This Earth, presented by the National Gallery of Australia, which has also commissioned a new installation for Full Throttle(2026). 

    Billy has also created a public artwork for Western Sydney International Airport and undertaken commissions and collaborations with Apple and Wah-Wah.Alongside his studio practice,

     

    Billy curates exhibitions, including Cruel Summerat Artbank Sydney and You’re Welcomeat Verge Gallery. He is a member of the National Gallery of Australia’s First Nations Advisory Group and serves on the board of Firstdraft.Bain has been a finalist in the Archibald Prize (2025), Wynne Prize (2023–2025) and Sulman Prize (2023).

     

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