'Deep within, her paintings carry autobiographical elements heavy with memory and meaning...'
Sally Anderson’s work draws heavily on personal domestic, maternal, and relational experiences, as well as second-hand encounters with landscapes, to explore how meaning and memory are held, stored, and carried. She is particularly interested in the concept of ‘the souvenir’ and the ways we authenticate experiences and navigate notions of reality and truth.
Anderson recontextualizes and arranges personal and intimate experiences with art historical references to address how motherhood, domesticity, and creative practice are, for her, reciprocal and ultimately entangled. Her paintings deliberately oscillate between abstraction and representation, using still-life and landscape motifs as symbols of containment and care. Stella Rosa McDonald writes that Sally’s paintings are 'like wombs or libraries—where gestation and digestion are tacitly implied.'
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