• Savannah Jarvis’ new body of work explores hypervigilance, chronic pain, and the ways prolonged attention to the body can reshape perception. Using the domestic as a recurring metaphor, familiar interiors become stand-ins for the body: spaces that are observed, maintained, and gradually altered through constant vigilance. As the body watches itself too closely, ordinary signals become amplified and perception begins to distort.

    Rather than illustrating pain directly, Jarvis creates quiet psychological landscapes that give form to experiences often beyond language. Domestic objects and architectural elements become vessels for vulnerability, uncertainty, and endurance, inviting viewers to consider how pain is not only felt, but continually interpreted and rewritten through the act of paying attention.

  • Savannah Jarvis, Two patients try to explain nociplastic pain to one another, 2026

    Winner of the 15 Artists Prize. Acquired by City of Moreton Bay Galleries.

    Savannah Jarvis

    Two patients try to explain nociplastic pain to one another, 2026
    diptych: oil on canvas, acrylic pearl, freshwater pearl, polymer clay on canvas
    172 x 96 x 10 cm (each)

    Winner of the 15 Artists Prize. Acquired by City of Moreton Bay Galleries
  • Savannah Jarvis, THREAT MADE STRANGE THE FLOWERS, 2026

    Savannah Jarvis

    THREAT MADE STRANGE THE FLOWERS, 2026
    oil on gessoboard
    60 x 45 cm
    • Savannah Jarvis SIGNAL SPREAD, 2026 oil on gessoboard 40.5 x 30.5 cm
      Savannah Jarvis
      SIGNAL SPREAD, 2026
      oil on gessoboard
      40.5 x 30.5 cm
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    • Savannah Jarvis FAULTY ALARM SYSTEM (LEFT HIP), 2026 oil on gesso board 40 x 30 cm
      Savannah Jarvis
      FAULTY ALARM SYSTEM (LEFT HIP), 2026
      oil on gesso board
      40 x 30 cm
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    • Savannah Jarvis PREMONITION, 2026 oil on gessoboard 40 x 30 cm
      Savannah Jarvis
      PREMONITION, 2026
      oil on gessoboard
      40 x 30 cm
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  • Savannah Jarvis, Peripheral Slip, 2026

    Savannah Jarvis

    Peripheral Slip, 2026
    oil on gessoboard 
    22 x 17 cm
    • Savannah Jarvis BIOMECHANICAL DOMINO EFFECT, 2026 acrylic on polycotton 55 x 55 cm
      Savannah Jarvis
      BIOMECHANICAL DOMINO EFFECT, 2026
      acrylic on polycotton
      55 x 55 cm
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    • Savannah Jarvis BODY VERSUS MIND, 2026 oil on gessoboard 45 x 34 cm
      Savannah Jarvis
      BODY VERSUS MIND, 2026
      oil on gessoboard
      45 x 34 cm
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    • Savannah Jarvis SEARCH PATTERN: NO SOURCE FOUND, 2026 acrylic on polycotton 96 x 76 cm
      Savannah Jarvis
      SEARCH PATTERN: NO SOURCE FOUND, 2026
      acrylic on polycotton
      96 x 76 cm
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  • Savannah Jarvis, REPEAT SIGNAL AMPLIFICATION, 2026

    Savannah Jarvis

    REPEAT SIGNAL AMPLIFICATION, 2026
    oil on gessoboard
    40 x 32 cm
    • Savannah Jarvis NOSY NEIGHBOURS, 2026 oil on gessoboard 22 x 17 cm
      Savannah Jarvis
      NOSY NEIGHBOURS, 2026
      oil on gessoboard
      22 x 17 cm
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    • Savannah Jarvis FALSE POSITIVE, 2026 oil on gessoboard 24 x 44 cm
      Savannah Jarvis
      FALSE POSITIVE, 2026
      oil on gessoboard
      24 x 44 cm
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    • Savannah Jarvis (left) TWIN PEAKS (BEFORE INJURY), (right) Wobble: TWIN PEAKS (AFTER INJURY), 2026 oil on polycotton 106 x 55 cm (each)
      Savannah Jarvis
      (left) TWIN PEAKS (BEFORE INJURY), (right) Wobble: TWIN PEAKS (AFTER INJURY), 2026
      oil on polycotton
      106 x 55 cm (each)
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  • Savannah Jarvis
    Savannah Jarvis

    My practice explores how the sensations of the body can be understood in painting via the use of metaphoric expression.'

     

    Savannah Jarvis is an Meanjin/Brisbane artist whose multidisciplinary practice investigates pain and the historical difficulties in it’s communication. Exploring how we may begin to understand and articulate the complex relationship between pain, the medical body and language, her work is underpinned by the notion that pain is inexpressible in language alone. Jarvis believes that pain has an articulation, and that images instead may succeed the realms in which language has failed. In 2020, Savannah completed a BFA with Honours at the Queensland College of Art.

     

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