• Sydney Contemporary 2025 is now open! N.Smith Gallery is thrilled to present the work of 15 artists across two booths. Visit us at Carriageworks until Sunday in the Galleries and Paper sections.
     
    Galleries section (H08)
     Casey Chen, Claire Healy & Sean Cordeiro, Fiona Lowry, Thea Anamara Perkins, Joan Ross, Marilyn Russell, Sally Scales, Darrell Sibosado, Vipoo Srivilasa, Christopher Zanko, Louise Zhang
     
    Paper section (B26)
    Matt Bromhead , Joshua Charadia, Neva Hosking, Dylan Mooney
    • Thea Anamara Perkins Lhere I, 2025 acrylic on board 90 x 120 cm
      Thea Anamara Perkins
      Lhere I, 2025
      acrylic on board
      90 x 120 cm
    • Thea Anamara Perkins Formalities 1, 2025 acrylic on board 45.5 x 61 cm / 48.5 x 63.5 cm (framed)
      Thea Anamara Perkins
      Formalities 1, 2025
      acrylic on board
      45.5 x 61 cm / 48.5 x 63.5 cm (framed)
  • Thea Anamara Perkins

    ‘It’s about taking charge of representation – I find that painting is a very simple and direct way of communicating things that I want to say.’

     

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  • Christopher Zanko, Whatnots I, 2025
  • Christopher Zanko, Better Directions, 2025
  • Christopher Zanko

    'Zanko creates permanence through the action of carving and simultaneously gives these homes and memories an enduring place to survive.'

     

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    • Vipoo Srivilasa Cloud, 2018 hot-formed glass 27 x 20 x 10 cm
      Vipoo Srivilasa
      Cloud, 2018
      hot-formed glass
      27 x 20 x 10 cm
    • Vipoo Srivilasa Lotus, 2018 hot-formed glass 28 x 27.5 x 10 cm
      Vipoo Srivilasa
      Lotus, 2018
      hot-formed glass
      28 x 27.5 x 10 cm
    • Vipoo Srivilasa Rabbit, 2018 hot-formed glass 27 x 28.5 x 10 cm
      Vipoo Srivilasa
      Rabbit, 2018
      hot-formed glass
      27 x 28.5 x 10 cm
  • Vipoo Srivilasa

    'Central to Vipoo Srivilasa’s creative practice is art’s ability to elicit the sense of joy, whilst also acting as a conduit for serious issues...'

     

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    • Fiona Lowry Untitled (poppies), 2025 synthetic polymer paint on canvas 35 x 27.5 cm / 41 x 33.5 cm (framed)
      Fiona Lowry
      Untitled (poppies), 2025
      synthetic polymer paint on canvas
      35 x 27.5 cm / 41 x 33.5 cm (framed)
    • Fiona Lowry Purple tears, 2025 synthetic polymer paint on canvas 154.5 x 122 cm
      Fiona Lowry
      Purple tears, 2025
      synthetic polymer paint on canvas
      154.5 x 122 cm
  • Fiona Lowry

    Lowry’s paintings of the Australian landscape portray the bush as strangely beautiful, alluring and steadfast.


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  • Matt Bromhead

    Matt Bromhead is a multidisciplinary artist who's practice is centred on a playful self-referential chronology of his process, each artwork going through a long period of change before completion.

     

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  • Joan Ross, We were everywhere, 2025
  • Joan Ross

    Bold and experimental, Joan Ross' practice investigates the legacy of colonialism in Australia with a  particular focus on reconfiguring the colonial Australian landscape and drawing attention to the complex and ongoing issues surrounding the effects of globalisation and colonisation.

     

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  • Casey Chen, Yellow-ground dragon bowl, 2024
  • Casey Chen

    Casey Chen’s ceramics practice references historical illustrations from an eclectic mix of folklore, mythology and pop culture.

     

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  • Neva Hosking, Michael's Bathtub, 2024
  • Neva Hosking

    Taking her cues from the rich visual delights of her immediate environment, Neva’s still lifes are semi-autobiographical, displaying in their subject matter and aesthetic structure cues from her personal life. 

     

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    • Sally Scales SS2025-32, 2025 acrylic on linen 150 x 197 cm
      Sally Scales
      SS2025-32, 2025
      acrylic on linen
      150 x 197 cm
    • Sally Scales G, 2025 acrylic paint on road sign 45 x 43 cm
      Sally Scales
      G, 2025
      acrylic paint on road sign
      45 x 43 cm
  • Sally Scales

    'We grew up knowing we had to use our voices for our families and communities. It's go time.'

     

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  • Dylan Mooney

    Influenced by history, culture and family, Dylan Mooney responds to community stories, current affairs and social media. Armed with a rich cultural upbringing, Mooney now translates the knowledge and stories passed down to him, through art. 

     

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    • Louise Zhang The shape of what stayed, 2025 acrylic and oil 41 x 31 cm
      Louise Zhang
      The shape of what stayed, 2025
      acrylic and oil
      41 x 31 cm
    • Louise Zhang Warm winter roots on stone, 2025 acrylic on canvas 66 x 36 cm
      Louise Zhang
      Warm winter roots on stone, 2025
      acrylic on canvas
      66 x 36 cm
  • Louise Zhang

    'The greatest tool in painting is colour, because colour has the greatest way of manipulating perspective.'

     

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    • Joshua Charadia All my ghosts, 2025 willow charcoal on Hahnemühle paper 45.5 x 66 cm (sheet), 61 x 81.5 cm (framed)
      Joshua Charadia
      All my ghosts, 2025
      willow charcoal on Hahnemühle paper
      45.5 x 66 cm (sheet), 61 x 81.5 cm (framed)
    • Joshua Charadia Symphony, among dissolving shadows, 2025 willow charcoal on Hahnemühle paper 45.5 x 66 cm (sheet), 61 x 81.5 cm (framed)
      Joshua Charadia
      Symphony, among dissolving shadows, 2025
      willow charcoal on Hahnemühle paper
      45.5 x 66 cm (sheet), 61 x 81.5 cm (framed)
    • Joshua Charadia To share this moment, a desire, 2024 willow charcoal on Hahnemühle paper 33 x 45.5 cm (sheet), 48 x 60.5 cm (framed)
      Joshua Charadia
      To share this moment, a desire, 2024
      willow charcoal on Hahnemühle paper
      33 x 45.5 cm (sheet), 48 x 60.5 cm (framed)
  • Joshua Charadia

    Joshua Charadia  explores the nature of consciousness and perception, ranslating his photographs of the built environment and its inhabitants into paintings and drawings that capturie moments of the sublime in the everyday.


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    • Kyra Mancktelow Untitled (Y2806II), 2022 ink impression on Hahnemühle paper 120 x 40 cm
      Kyra Mancktelow
      Untitled (Y2806II), 2022
      ink impression on Hahnemühle paper
      120 x 40 cm
    • Kyra Mancktelow Gubagulabu (Y1105), 2022 unique bronze sculpture 25 x 22 x 18 cm
      Kyra Mancktelow
      Gubagulabu (Y1105), 2022
      unique bronze sculpture
      25 x 22 x 18 cm
  • Kyra Mancktelow

    Kyra Mancktelow’s multidisciplinary practice investigates legacies of colonialism, posing important questions such as how we remember and acknowledge Indigenous histories.

     

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    • Darrell Sibosado Umbun (Eagle Ray), 2024 enamel coated aluminium, perspex, LED 150 x 110 x 3 cm
      Darrell Sibosado
      Umbun (Eagle Ray), 2024
      enamel coated aluminium, perspex, LED
      150 x 110 x 3 cm
  • Darrell Sibosado

    Darrell Sibosado is a Bard man from Lombadina situated on the Dampier Peninsula of the Kimberley coast, Western Australia. His practice explores the innovative potential of the riji (pearl shell) designs within a contemporary context. 

     

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    • Claire Healy & Sean Cordeiro Stepping on Lego, 2023 recontexualised lego on board 223 x 266 x 3.2 cm
      Claire Healy & Sean Cordeiro
      Stepping on Lego, 2023
      recontexualised lego on board
      223 x 266 x 3.2 cm
    • Claire Healy & Sean Cordeiro Patty 352, 2023 recontexualised lego on board 156 x 208 x 3 cm
      Claire Healy & Sean Cordeiro
      Patty 352, 2023
      recontexualised lego on board
      156 x 208 x 3 cm
  • Claire Healy & Sean Cordeiro

    Combining a playful sense of humour and an engagement with art historical precedents, the duo's work is characterised by the deconstruction and reinvention of prefabricated structures and objects into extraordinary sculptures and installations. 

     

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    • Marilyn Russell Harbour Bridge, 2025 shells, velvet, glitter, and mixed media
      Marilyn Russell
      Harbour Bridge, 2025
      shells, velvet, glitter, and mixed media
  • Marilyn Russell

    Marilyn Russell is a Bidjigal woman whose artmaking practice is a continuation of the centuries-old tradition of shellwork, passed down through generations of Aboriginal women, including her late mother, Esme Timbery, and great-great-grandmother, Queen Emma Timbery.

     

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