• Thea Anamara Perkins memory mirage 15, 2024 acrylic on board 12.7 x 17.8 cm / 15 x 20 cm (framed)
      Thea Anamara Perkins
      memory mirage 15, 2024
      acrylic on board
      12.7 x 17.8 cm / 15 x 20 cm (framed)
    • Thea Anamara Perkins memory mirage 10, 2024 acrylic on board 12.7 x 17.8 cm / 15 x 20 cm (framed)
      Thea Anamara Perkins
      memory mirage 10, 2024
      acrylic on board
      12.7 x 17.8 cm / 15 x 20 cm (framed)
    • Thea Anamara Perkins memory mirage 19, 2024 acrylic on board 12.7 x 17.8 cm / 15 x 20 cm (framed)
      Thea Anamara Perkins
      memory mirage 19, 2024
      acrylic on board
      12.7 x 17.8 cm / 15 x 20 cm (framed)
    • Thea Anamara Perkins memory mirage 8, 2024 acrylic on board 12.7 x 17.8 cm / 15 x 20 cm (framed)
      Thea Anamara Perkins
      memory mirage 8, 2024
      acrylic on board
      12.7 x 17.8 cm / 15 x 20 cm (framed)
    • Thea Anamara Perkins memory mirage 26, 2025 acrylic on board 13 x 18 cm / 15.5 x 20.5 cm (framed)
      Thea Anamara Perkins
      memory mirage 26, 2025
      acrylic on board
      13 x 18 cm / 15.5 x 20.5 cm (framed)
    • Thea Anamara Perkins memory mirage 27, 2025 acrylic on board 13 x 18 cm / 15.5 x 20.5 cm (framed)
      Thea Anamara Perkins
      memory mirage 27, 2025
      acrylic on board
      13 x 18 cm / 15.5 x 20.5 cm (framed)
    • Thea Anamara Perkins memory mirage 28, 2025 acrylic on board 13 x 18 cm / 15.5 x 20.5 cm (framed)
      Thea Anamara Perkins
      memory mirage 28, 2025
      acrylic on board
      13 x 18 cm / 15.5 x 20.5 cm (framed)
    • Thea Anamara Perkins memory mirage 29, 2025 acrylic on board 13 x 18 cm / 15.5 x 20.5 cm (framed)
      Thea Anamara Perkins
      memory mirage 29, 2025
      acrylic on board
      13 x 18 cm / 15.5 x 20.5 cm (framed)
  • memory mirage.

    memory mirage presents a deeply personal yet universally resonant exploration of memory’s fluidity. In this body of work, Thea continues her memory mirage series to draw on fragments of lived experience, found imagery, and imagined spaces to create layered compositions that blur the boundaries between past and present, truth, and fiction.

    Commissioned by the Australian Embassy in Berlin, the series reflects Thea’s interest in the ways memories are constructed, distorted, and ultimately reinterpreted over time. Through shifting colour palettes, delicate painterly gestures, and a rhythm of recurring motifs, each work evokes the sensation of revisiting a half-remembered place – familiar yet intangible.

     

    Exhibited for the first time in Berlin, memory mirage marks a significant development in Thea’s practice. These works expand her visual language with a heightened focus on atmosphere and spatial depth, inviting viewers to enter a landscape where memory lingers like a mirage on the horizon – always close, yet just out of reach.

  • Bio.

    Thea Anamara Perkins is an Arrernte and Kalkadoon artist whose practice incorporates portraiture and landscape to question representations of First...
    Qantas Magazine Portrait by Nic Walker.

    Thea Anamara Perkins is an Arrernte and Kalkadoon artist whose practice incorporates portraiture and landscape to question representations of First Nations peoples and Country. With a delicate hand, Thea answers heavy questions about what it means to be First Nations in contemporary Australia, and interrogates portrayal.

    Thea’s middle name Anamara is an Arrernte word that describes a river and a Dreaming that runs north of Mparntwe (Alice Springs) – the place that keeps calling her back and has been the wellspring of art and activism for her family, and by extension, the nation. Perkins continues her family’s commitment to what she calls “strong and ready communication” and is part of an extraordinary dynasty of First Nations activists and creatives that includes activist Charles Perkins (her grandfather), Arrernte elder Hetti Perkins (her great-grandmother), curator Hetti Perkins (her mother) and acclaimed film director Rachel Perkins (her aunt).

    Perkins routinely delves into her family’s photographic archive for source material, attracted by the hyper-saturated, almost cinematic, glow of old photos, and the melancholia that comes with seeing a moment in time you can no longer access. She is most drawn to snapshots that evoke feelings of comfort and certainty – smiling faces, happy memories. The glimmer, she calls it. Her compositions hone in on this by removing the background noise, reducing the photo to its very essence – a gesture, a colour, or an evocation of place.

    Raised and based in Sydney, Thea has family ties to the Redfern community and has worked in a broad range of community projects. Thea was the recipient of the 2023 La Prairie Art Award, administered by The Art Gallery of NSW, and won the Brett Whiteley Travelling Art Scholarship in 2021, and the Alice Prize & Dreaming Award in 2020.

     

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