• Each summer, N.Smith Gallery takes a moment to pause and to look back on the year that was and to acknowledge the shared effort that makes our program possible. Summer ‘26 brings together artists from across the gallery community in a celebration of collective achievement: the works made, the exhibitions realised, the projects that extended far beyond our walls.

     

    More than a survey, Summer ‘26 is a reminder that every artwork, conversation, and collaboration contributes to a broader ecosystem – one sustained by artists, arts workers, collectors, and the communities who engage with contemporary art.

     

    In celebrating this shared momentum, Summer ‘26 marks not just the close of a year, but the beginning of the next chapter in an ongoing story of creative exchange.

  • Tuppy Ngintja Goodwin

    Tuppy Ngintja Goodwin is a senior Pitjantjatjara artist committed to passing on her cultural knowledge to the next generation of Anangu. She is a painter, and director of Mimili Maku Arts.

     

     

    • Tuppy Ngintja Goodwin Antara, 2025 synthetic polymer paint on paper bonded canvas 152 x 122 cm
      Tuppy Ngintja Goodwin
      Antara, 2025
      synthetic polymer paint on paper bonded canvas
      152 x 122 cm
    • Tuppy Ngintja Goodwin Antara, 2025 synthetic polymer paint on paper bonded canvas 152 x 122 cm
      Tuppy Ngintja Goodwin
      Antara, 2025
      synthetic polymer paint on paper bonded canvas
      152 x 122 cm
    • Tuppy Ngintja Goodwin Antara, 2025 synthetic polymer paint on paper bonded canvas 152 x 122 cm
      Tuppy Ngintja Goodwin
      Antara, 2025
      synthetic polymer paint on paper bonded canvas
      152 x 122 cm
  • Mason Kimber

    Mason Kimber is a Sydney Gadigal based artist whose practice spans textural painting, sculptural relief and site specific installation,  exploring the relationship between architecture and memory, and investigates how built environments can hold personal and collective histories.

     

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    • Mason Kimber Atomic Grove, 2025 composite render, extruded polystyrene, wood 60 x 77 x 7 cm
      Mason Kimber
      Atomic Grove, 2025
      composite render, extruded polystyrene, wood
      60 x 77 x 7 cm
    • Mason Kimber Perimeters, 2025 pencil on bamboo paper 36 x 50.5 cm
      Mason Kimber
      Perimeters, 2025
      pencil on bamboo paper
      36 x 50.5 cm
    • Mason Kimber Shark Bar (construction) 2, 2025 pencil on bamboo paper 36 x 50.5 cm
      Mason Kimber
      Shark Bar (construction) 2, 2025
      pencil on bamboo paper
      36 x 50.5 cm
  • Louise Zhang

    'The greatest tool in painting is colour, because colour has the greatest way of manipulating perspective.'

     

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    • Louise Zhang Water worn stories written in stone, 2025 acrylic and oil on canvas, stained timber frame 160.5 x 195 x 104.5 cm
      Louise Zhang
      Water worn stories written in stone, 2025
      acrylic and oil on canvas, stained timber frame
      160.5 x 195 x 104.5 cm
    • Louise Zhang Apple resting on stone, 2025 acrylic and oil on canvas, stained timber frame 160.5 x 195 x 104.5 cm
      Louise Zhang
      Apple resting on stone, 2025
      acrylic and oil on canvas, stained timber frame
      160.5 x 195 x 104.5 cm
    • Louise Zhang Warm winter roots on stone, 2025 acrylic on canvas 66 x 36 cm
      Louise Zhang
      Warm winter roots on stone, 2025
      acrylic on canvas
      66 x 36 cm
    • Louise Zhang The shape of what stayed, 2025 acrylic and oil 41 x 31 cm
      Louise Zhang
      The shape of what stayed, 2025
      acrylic and oil
      41 x 31 cm
  • Holly Anderson

    From across a room, Holly Anderson’s paintings appear to swim in the brightness of a clear sky. Bursts of sunlight populate familiar subject matter – interiors, figures, skies, and water are monochromic planes pierced with white light...

     

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  • HOLLY ANDERSON Pool (the secret garden), 2025 oil on board 140 x 100 cm

    HOLLY ANDERSON

    Pool (the secret garden), 2025
    oil on board
    140 x 100 cm
  • Claire Healy & Sean Cordeiro

    Combining a playful sense of humour and an engagement with art historical precedents, the duo's work is characterised by the deconstruction and reinvention of prefabricated structures and objects into extraordinary sculptures and installations. 

     

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    • Claire Healy & Sean Cordeiro Green Skull, 2024 recontextualised lego 96 x 96 cm
      Claire Healy & Sean Cordeiro
      Green Skull, 2024
      recontextualised lego
      96 x 96 cm
    • Claire Healy & Sean Cordeiro Pink Bear, 2024 recontextualised lego 96 x 96 cm
      Claire Healy & Sean Cordeiro
      Pink Bear, 2024
      recontextualised lego
      96 x 96 cm
    • Claire Healy & Sean Cordeiro Saint Peter’s Dance, 2025 acrylic gouache and pencil on cardboard 44.5 x 46 cm (irregular)
      Claire Healy & Sean Cordeiro
      Saint Peter’s Dance, 2025
      acrylic gouache and pencil on cardboard
      44.5 x 46 cm (irregular)
  • Fiona Lowry

    Lowry’s paintings of the Australian landscape portray the bush as strangely beautiful, alluring and steadfast.


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  • FIONA LOWRY Orchid study 2, 2025 synthetic polymer paint on paper 76.5 x 56.5 cm

    FIONA LOWRY

    Orchid study 2, 2025
    synthetic polymer paint on paper
    76.5 x 56.5 cm
  • Natasha walsh

    'My practice thrives on experimentation... I actually don’t enjoy confronting my reflection. At times the vulnerability of this can be very disheartening and unpleasant.'

     

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    • Photo credit: Alfonso Chavez-Lujan
      Natasha Walsh
      Interior garden, 2025
      pencil on paper
      30 x 23 cm
    • Photo credit: Alfonso Chavez-Lujan
      Natasha Walsh
      A garden under glass, 2025
      pencil on paper
      28 x 35.5 cm
    • Photo credit: Alfonso Chavez-Lujan
      Natasha Walsh
      Pale wings, 2025
      pencil on paper
      10 x 10 cm
  • Matt Bromhead

    Matt Bromhead is a multidisciplinary artist who's practice is centred on a playful self-referential chronology of his process, each artwork going through a long period of change before completion.

     

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    • Matt Bromhead Home Rock, 2025 charcoal, pastel on cotton paper 58 x 78 cm
      Matt Bromhead
      Home Rock, 2025
      charcoal, pastel on cotton paper
      58 x 78 cm
    • Matt Bromhead Town and Country (3), 2025 cyanotype drawing on cotton paper 58 x 78 cm
      Matt Bromhead
      Town and Country (3), 2025
      cyanotype drawing on cotton paper
      58 x 78 cm
    • Matt Bromhead Chambers and Mirage, 2025 pastel, pencil, watercolour on paper 41 x 51 cm
      Matt Bromhead
      Chambers and Mirage, 2025
      pastel, pencil, watercolour on paper
      41 x 51 cm
  • Neva Hosking

    These drawings do not wish to place you inside Neva's world, but rather outside it and force you back to your own...

     

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    • Neva Hosking A Curtain Of Philodendron Micans At The Caravan Park, South Mission Beach, 2024 ink on paper 90 x 44.5 cm (sheet), 101 x 58 cm (framed)
      Neva Hosking
      A Curtain Of Philodendron Micans At The Caravan Park, South Mission Beach, 2024
      ink on paper
      90 x 44.5 cm (sheet), 101 x 58 cm (framed)
    • Neva Hosking Michael's Bathtub, 2024 ink on paper 41.5 x 28 cm (sheet, irregular)
      Neva Hosking
      Michael's Bathtub, 2024
      ink on paper
      41.5 x 28 cm (sheet, irregular)
  • Kyra Mancktelow

    Kyra Mancktelow’s multidisciplinary practice investigates legacies of colonialism, posing important questions such as how we remember and acknowledge Indigenous histories.

     

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    • Kyra Mancktelow Jundal & Giba, 2021 two unique monoprints on 350gsm Hahnemüle paper 120 x 80 cm each
      Kyra Mancktelow
      Jundal & Giba, 2021
      two unique monoprints on 350gsm Hahnemüle paper
      120 x 80 cm each
    • Kyra Mancktelow Gingali I, 2021 unique monoprint on 350gsm Hahnemühle paper 80 x 60 cm
      Kyra Mancktelow
      Gingali I, 2021
      unique monoprint on 350gsm Hahnemühle paper
      80 x 60 cm
  • Kate Vassallo

    Kate Vassallo is an Australian visual artist of Maltese heritage, born and based on Ngunnawal, Ngunawal and Ngambri Country in Canberra. Working across painting, drawing and installation, she considers labour, control and time through visual abstraction.

    • Kate Vassallo Daydreaming 2, 2025 coloured pencil on paper 56 x 38 cm (sheet)
      Kate Vassallo
      Daydreaming 2, 2025
      coloured pencil on paper
      56 x 38 cm (sheet)
    • Kate Vassallo Daydreaming 1, 2025 coloured pencil on paper 56 x 38 cm (sheet)
      Kate Vassallo
      Daydreaming 1, 2025
      coloured pencil on paper
      56 x 38 cm (sheet)
  • Tom Blake

    Tom Blake’s practice draws on fragmented moments, looped imagery and recurring motifs as potential sites for contemplating the psychological, architectural and technological frameworks that surround us.

     

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    • Tom Blake index, loop, 2025 etching, aluminium frame, museum glass 11.5 x 6.5 cm (etching), 42.5 x 30.5 cm (frame)
      Tom Blake
      index, loop, 2025
      etching, aluminium frame, museum glass
      11.5 x 6.5 cm (etching), 42.5 x 30.5 cm (frame)
    • Tom Blake leaves in a stream, 2025 cyanotype, artist-made brass frame 41 x 31 cm
      Tom Blake
      leaves in a stream, 2025
      cyanotype, artist-made brass frame
      41 x 31 cm
  • Christopher Zanko

    'Zanko creates permanence through the action of carving and simultaneously gives these homes and memories an enduring place to survive.'

     

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    • Christopher Zanko Local Prophet, 2025 linocut on Arches 300gsm paper 30 x 19.5 cm (plate), 38.5 x 28.5 cm (paper)
      Christopher Zanko
      Local Prophet, 2025
      linocut on Arches 300gsm paper
      30 x 19.5 cm (plate), 38.5 x 28.5 cm (paper)
    • Christopher Zanko Descender, 2025 linocut with watercolour and ink on Arches 300gsm paper 30 x 19.5 cm (plate), 38.5 x 28.5 cm (paper)
      Christopher Zanko
      Descender, 2025
      linocut with watercolour and ink on Arches 300gsm paper
      30 x 19.5 cm (plate), 38.5 x 28.5 cm (paper)
    • Christopher Zanko The Laundry, 2023 acrylic on wood relief carving 59 x 54 cm
      Christopher Zanko
      The Laundry, 2023
      acrylic on wood relief carving
      59 x 54 cm
  • Joshua Charadia

    Joshua Charadia  explores the nature of consciousness and perception, ranslating his photographs of the built environment and its inhabitants into paintings and drawings that capturie moments of the sublime in the everyday.


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    • Joshua Charadia Underpass, we met halfway, 2025 oil on board 30 x 40 cm
      Joshua Charadia
      Underpass, we met halfway, 2025
      oil on board
      30 x 40 cm
    • Joshua Charadia After dark, I lingered, a silhouette, 2025 oil on board 60 x 80 cm
      Joshua Charadia
      After dark, I lingered, a silhouette, 2025
      oil on board
      60 x 80 cm
  • Sally Anderson

    'Deep within, her paintings carry autobiographical elements heavy with memory and meaning...'

     

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  • SALLY ANDERSON Bells, wash down and BT's The Tempest, 2025 acrylic on polycotton 168 x 137 cm

    SALLY ANDERSON

    Bells, wash down and BT's The Tempest, 2025
    acrylic on polycotton
    168 x 137 cm
  • Casey Chen

    Casey Chen’s ceramics practice references historical illustrations from an eclectic mix of folklore, mythology and pop culture.

     

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  • CASEY CHEN Princess iron fan, 2024 glazed porcelain, ceramic colourants, enamels, and gold lustre; fired 5 times 14.5 x 15...

    CASEY CHEN

    Princess iron fan, 2024
    glazed porcelain, ceramic colourants, enamels, and gold lustre; fired 5 times
    14.5 x 15 x 15 cm